A three-part British documentary film series about life in the Paleozoic, bringing to life extinct arthropods, fish, amphibians, synapsids, and reptiles. Narrated by Kenneth Branagh and using state-of-the-art visual effects, this prequel to Walking with Dinosaurs shows nearly 300 million years of Paleozoic history, from the Cambrian Period (530 million years ago) to the Early Triassic Period (248 million years ago).

Dazzling computer animation highlights this six-hour "speculative documentary" following the lives of dinosaurs from their beginning to their zenith -- and their eventual decline during the Cretaceous period. The computer-generated imagery and animatronics used in the series show dinosaurs in a way you would expect to see in a feature film.

A film by Vanessa Engle exploring our remarkable relationship with dogs. Over a number of months in north London's Hampstead Heath, Engle approached people who were walking their dogs to discover why they have a dog and the role their dog plays in their emotional lives. The people she meets tell their stories, many of which are moving, surprising and profound.

A film by Vanessa Engle exploring our remarkable relationship with dogs. Over a number of months in north London's Hampstead Heath, Engle approached people who were walking their dogs to discover why they have a dog and the role their dog plays in their emotional lives. The people she meets tell their stories, many of which are moving, surprising and profound.

Regent Horthy is the leader of Hungary and a German ally, but his favorable standing with Hitler changes as the war comes to an end. Forced to cede Hungary’s power or else witness the execution of his son, Regent Horthy gives up control of his country to the Nazis, who quickly move Hungarians to ghettos and death camps, with no hope in sight. But the despair changes when a young man named Elek emerges. Separated from his family during the relocations and aided by the woman he loves , Elek defies the enemy by becoming one of them. In a race against time, disguised as a Nazi Officer he embarks on a mission to save his family and thousands of his countrymen.

Monsters is a syndicated horror anthology series which originally ran from 1988 to 1991 and reran on the Sci-Fi Channel during the 1990s. As of 2011, Monsters airs on NBC Universal's horror/suspense-themed cable channel Chiller in sporadic weekday marathons.In a similar vein to Tales from the Darkside, Monsters shared the same producer, and in some ways succeeded the show. It differed in some respects nonetheless. While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. As the name implies, each episode of Monsters featured a different monster which the story concerned, from the animatronic puppet of a fictional children's television program to mutated, weapon-wielding lab rats.Similar to Tales, however, the stories in Monsters were rarely very straightforward action plots and often contained some ironic twist in which a character's conceit or greed would do him in, often with gruesome results. Adding to this was a sense of comedy often lost on horror productions which might in some instances lighten the audience's mood but in many cases added to the overall eeriness of the production.

Monsters is a syndicated horror anthology series which originally ran from 1988 to 1991 and reran on the Sci-Fi Channel during the 1990s. As of 2011, Monsters airs on NBC Universal's horror/suspense-themed cable channel Chiller in sporadic weekday marathons.In a similar vein to Tales from the Darkside, Monsters shared the same producer, and in some ways succeeded the show. It differed in some respects nonetheless. While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. As the name implies, each episode of Monsters featured a different monster which the story concerned, from the animatronic puppet of a fictional children's television program to mutated, weapon-wielding lab rats.Similar to Tales, however, the stories in Monsters were rarely very straightforward action plots and often contained some ironic twist in which a character's conceit or greed would do him in, often with gruesome results. Adding to this was a sense of comedy often lost on horror productions which might in some instances lighten the audience's mood but in many cases added to the overall eeriness of the production.

A small town somewhere in the north. The body of a brutally murdered young girl, Anna, is found by the river. The investigation is taken up by the determined criminalist Laura Linhartová (Kristýna Ryška), and her old colleague Adam Beneš (Kryštof Hádek) is assigned to her. The main suspect is a recently convicted perpetrator who is responsible for a similar murder. Just when it seems that the search for Anna's murderer is over, new evidence appears that brings the whole case back to the beginning. The criminalists thus embark on a complicated investigation full of unexpected twists and turns. The circle of suspects in the small town expands dramatically. The tension between Laura and Adam rises, not to mention their different characters and shared past. And the question still hangs in the air: Who killed Anna Pittnerová?

Jenn lives in an underground bunker, protected from the monsters that now ravage the world. This is the day that she goes outside...

Jenn lives in an underground bunker, protected from the monsters that now ravage the world. This is the day that she goes outside...